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Music software is the internal programming of computers that supports musical production. Music software has been around for nearly 40 years.

Rock musicians combined an emphasis on skill and technique with the romantic concept of art as artistic expression, original and sincere".[20] In the new millennium the term rock has sometimes been used as a blanket term including forms such as pop music, reggae music, soul music, and even hip hop, with which it has been influenced but often contrasted through much of its history.. Pop is not a do-it-yourself music but is professionally produced and packaged". Throughout its development, pop music has absorbed influences from most other genres of popular music. Since the term rock began to be used in preference to rock and roll from the late-1960s, it has often been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development.[20] According to Simon Frith "rock was something more than pop, something more than rock and roll. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race, sex and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity. By the late 1960s, referred to as the "golden age"[3] or "classic rock"[1] period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, raga rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock, which was influenced by the countercultural psychedelic scene. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis.

MIDI

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MIDI (/ˈmɪdi/; short for Musical Instrument Digital Interface)

MIDI (/ˈmɪdi/; short for Musical Instrument Digital Interface) is a technical standard that describes a protocol, digital interface and connectors and allows a wide variety of electronic musical instruments, computers and other related devices to connect and communicate with one another. A single MIDI link can carry up to sixteen channels of information, each of which can be routed to a separate device. MIDI carries event messages that specify notation, pitch and velocity, control signals for parameters such as volume, vibrato, audio panning, cues, and clock signals that set and synchronize tempo between multiple devices. These messages are sent to other devices where they control sound generation and other features. This data can also be recorded into a hardware or software device called a sequencer, which can be used to edit the data and to play it back at a later time. Some composers may take advantage of MIDI 1.0 and General MIDI (GM) technology to allow musical data files to be shared among various electronic instruments by using a standard, portable set of commands and parameters.

MP3

MPEG-1 or MPEG-2 Audio Layer III, more commonly referred to as MP3

MPEG-1 or MPEG-2 Audio Layer III, more commonly referred to as MP3, is an audio coding format for digital audio which uses a form of lossy data compression. It is a common audio format for consumer audio streaming or storage, as well as a de facto standard of digital audio compression for the transfer and playback of music on most digital audio players. The compression works by reducing accuracy of certain parts of sound that are considered to be beyond the auditory resolution ability of most people. This method is commonly referred to as perceptual coding.

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